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A BILL OF DIVORCEMENT (1932)
An RKO Pictures Production
Directed by: George Cukor
With:
John Barrymore, Billie Burke, Katharine Hepburn and David Manners
A Bill of Divorcement is notable as Katharine
Hepburn's first film but it also marked a turning point in DM's
movie career. One of the first contracted actors to balk at studio
tyranny, David was released from his contract with WB / First
National and co-starred in A Bill of Divorcement as a free-lancer.
As he was always in high demand, DM enjoyed a much more lucrative
career on his own.
Based on the play by Clemence Dane, A Bill of Divorcement is
a dated and melodramatic study of divorce and madness in the
lives of an English family. Margaret (Meg) Fairfield, (Billie
Burke) long-suffering wife of insane and asylum-housed Hilary
Fairfield, (John Barrymore) is set to re-marry after having been
granted a divorce. While encouraged by her outspoken daughter
Sydney, (Katharine Hepburn) Meg's conscience is bothering her.
Although Hilary has been institutionalized for fifteen years
after being shell-shocked in the Great War, Meg is under heavy
family pressure to honor her wedding vows. A difficult situation
is made even more untenable when Hilary escapes the sanitarium
and arrives at the house. Sydney, realizing that her father (whom
she has never before seen) is genetically imbalanced, breaks
her engagement with fiancé Kit Humphrey (DM) and remains
with her still-impaired and care-needing parent. Meg is thereby
allowed to pursue her happiness.
While his part is small, DM is memorable as the debonair suitor
and his scenes with Hepburn play well. The opening scene of the
film follows him as he, in a tuxedo, scans a Christmas Eve party
for his dance partner, Sydney, who floats down an elegant staircase
into his arms. He well displays his sore displeasure when Sydney,
not wanting to deprive Kit of his desire for children, makes
known her fear of the insanity in her family.
It is really the relationship between Barrymore and Hepburn that
drives the film and the two share some touching moments. Also
interesting is the emerging screen persona of Hepburn, who, even
in her first film, delivers a strong, fiery performance and commands
the viewer's attention from the start. As a final note, Billie
Burke is a regular laugh-riot as the much ruffled Meg.

Purchase A Bill of Divorcement in VHS format
or Charles Higham's bio of Hepburn
through these Amazon.com links and a portion of the sale goes
to the David Manners web site. Help support this site with your
purchase.
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